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MORE DRAWING TUTORIALS: How to draw a roseHow to draw a dragon How to draw a horse NEW: How to draw a wolf NEW: How to draw a betta fish How to draw animals from pears How to draw an owl How to draw a cat How to draw animals from alphabets How to draw a frog How to draw a parrot How to draw a bird How to draw a butterfly How to draw a sheep How to draw a pig How to draw a swan How to draw a penguin How to draw a peacock How to draw a lion How to draw a rabbit How to draw a cow How to draw a dachshund How to draw a seahorse How to draw a tiger How to draw a kitten How to draw a monkey How to draw a unicorn How to draw a phoenix How to draw a deer How to draw a squirrel How to draw a crocodile How to draw a dinosaur How to draw a whale How to draw a duck How to draw a giraffe How to draw a snail How to draw a koala How to draw an angelfish How to draw an elephant How to draw a griffin How to draw a walrus How to draw a cocker spaniel How to draw a poodle How to draw a donkey How to draw a chicken How to draw a rooster How to draw a porcupine How to draw a kangaroo How to draw a bear How to draw a mouse How to draw an octopus How to draw a turkey How to draw a goat How to draw a camel How to draw a hippo How to draw a possum How to draw a rhino How to draw a centaur Did you choose "Other"? I'd love to know what your other is. Email me to let me know.
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Learn to Draw > Drawing the head and eyes The shape of the head is determined first of all by the structure of the bones of the cranium. They can also indicate racial origins. The average shape of the long skull is enclosed frontally in a rectangle. Its height is an eighth of the whole height of the body of a full-grown man. The breadth is two-sevenths smaller than the height.The same head in profile fits into a square with sides corresponding to the height of the frontal rectangle, one-eighth of the total height. The muscles of the head have primarily technical functions; they open and shut the mouth and eyelids; they move the lower jaw for chewing and biting. For blowing, sucking, and speaking the mouth muscles regulate the flow of air. The facial muscles, however, react to psychological stimuli as well, so much so that even small children and animals can understand clearly the momentary changes of mood of the person they are with from his face. Laughter, weeping, anger, and sorrow are universally understood expressions. They are all facial movements caused by muscular activity. If certain stimuli are repeated frequently they become more and more impressed into the contours of the face, mainly by folds and lines in the skin. Constant cheerfulness or resentment, discontent, obstinacy, reserve or self-control create facial expression through the muscles of the face. A person's reaction to circumstances, rather than the circumstances themselves, determine the character of a face. Passing violent moods leave no trace. As can be seen in the diagrams, there are few facial muscles, but an infinite variety of effects results from their interplay, providing all the changes of expression - even as the thirteen notes of the well-tempered scale can combine in every possible way to form the whole range of musical expression. The laughing muscles, for instance, are also the principal ones used in crying, but the difference is established by the intervention of the chin-raising muscle and the muscle in the brow. Next: How to draw eyes
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