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MORE DRAWING TUTORIALS: How to draw a roseHow to draw a dragon How to draw a horse NEW: How to draw a wolf NEW: How to draw a betta fish How to draw animals from pears How to draw an owl How to draw a cat How to draw animals from alphabets How to draw a frog How to draw a parrot How to draw a bird How to draw a butterfly How to draw a sheep How to draw a pig How to draw a swan How to draw a penguin How to draw a peacock How to draw a lion How to draw a rabbit How to draw a cow How to draw a dachshund How to draw a seahorse How to draw a tiger How to draw a kitten How to draw a monkey How to draw a unicorn How to draw a phoenix How to draw a deer How to draw a squirrel How to draw a crocodile How to draw a dinosaur How to draw a whale How to draw a duck How to draw a giraffe How to draw a snail How to draw a koala How to draw an angelfish How to draw an elephant How to draw a griffin How to draw a walrus How to draw a cocker spaniel How to draw a poodle How to draw a donkey How to draw a chicken How to draw a rooster How to draw a porcupine How to draw a kangaroo How to draw a bear How to draw a mouse How to draw an octopus How to draw a turkey How to draw a goat How to draw a camel How to draw a hippo How to draw a possum How to draw a rhino How to draw a centaur Did you choose "Other"? I'd love to know what your other is. Email me to let me know.
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How to Draw Cartoons > Perspective for CartoonsTo give your picture depth and the impression of distance, you will need to understand the simplest rules of free-hand perspective. You need not master elaborate diagrams and complicated mechanical rules. Your chief concern, as a cartoonist, is with feeling and idea. A knowledge of simple perspective will make it easier for you to express your ideas.Remember this: All level lines which lead away from you vanish (when extended) at a single point on the horizon which is level with your eye. Practice this by copying the forms on the opposite page. Then apply the principle free-hand in all the cartoon drawings you do.
Often you will want to exaggerate and distort perspective. You can do this more effectively if you really understand the sim plest, basic principles of perspective before you attempt exaggeration. The closer to the foreground an object is, the heavier the lines should be, and the more detail should be shown. As an object recedes into the distance, be it house, tree, or person, it grows dimmer and smaller and shows less and less detail. Distant objects are often shown by suggestion instead of complete drawing. Outlines, in the distance, usually have more definite form at the top of the picture. Toward the bottom they fade into nothing.
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