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MORE DRAWING TUTORIALS:

How to draw a rose
How to draw a dragon
How to draw a horse
NEW: How to draw a wolf
NEW: How to draw a betta fish
How to draw animals from pears
How to draw an owl
How to draw a cat
How to draw animals from alphabets
How to draw a frog
How to draw a parrot
How to draw a bird
How to draw a butterfly
How to draw a sheep
How to draw a pig
How to draw a swan
How to draw a penguin
How to draw a peacock
How to draw a lion
How to draw a rabbit
How to draw a cow
How to draw a dachshund
How to draw a seahorse
How to draw a tiger
How to draw a kitten
How to draw a monkey
How to draw a unicorn
How to draw a phoenix

How to draw a deer
How to draw a squirrel
How to draw a crocodile
How to draw a dinosaur
How to draw a whale
How to draw a duck
How to draw a giraffe
How to draw a snail
How to draw a koala
How to draw an angelfish
How to draw an elephant
How to draw a griffin
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How to draw a cocker spaniel
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How to draw a donkey
How to draw a chicken
How to draw a rooster
How to draw a porcupine
How to draw a kangaroo
How to draw a bear
How to draw a mouse
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How to draw a hippo
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How to draw a rhino
How to draw a centaur





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How to Draw Cartoons > How to Show Action in Your Cartoons

Now get ready for good long periods of wilting fatigue, muscular exhilaration, heart-throbbing suspense, agonized tension, aching jaws, stiff, seemingly immovable joints. Because, when you draw human figures in any action, physical or mental, you are bound to feel the action intensely.

You cannot draw without feeling. And the more strongly you feel, the better cartoonist you are sure to be provided you can effectively transfer your feeling to paper.

Draw a man running like mad, fist clenched, jaw set. What happens to you? Try it. Put yourself wholeheartedly and deeply into the action you are drawing, and I guarantee you will feel it. You will be exhausted when you finish drawing a man running hard - if you put yourself into it. But when you finally do produce a drawing that is really convincing, it compensates you for the pain you felt when you were drawing.



Never draw any action without taking the pose yourself. Even if you have a model to pose for you, you must get the feel of it first yourself. Whether you look at yourself in a mirror or not does not matter. You will unconsciously draw convincingly if you are thinking how it feels while you draw.

Use the stick-figure or any other rough-in method you like and draw as many action figures as you can. Learn to exaggerate the action much more than would normally be probable in any figure. This is another secret of good cartooning.

Continue to Expressing action & pantomine








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